BERT LIGON LINEAR HARMONY PDF

Connecting chords with Linear harmony by Bert Ligon. Hi Folks, Probably like some of you I received a number of jazz related books/references. Connecting Chords with Linear Harmony book by Bert Ligon to learn genuine improvisation. Read lessons, techniques and more. Connecting Chords with Linear Harmony has 63 ratings and 0 reviews. (Jazz Book). A study of three basic outlines used in jazz improv and.

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I guess the reall trick is learning to flesh out the basic quarter note outlines with passing notes, chromatic approaches etc, to extend these to the longer ii-V7-I. Originally Posted by Rackety Sax. Now I almost always sense where I am. Bookmarks Bookmarks Digg del.

Review: Connecting Chords with Linear Harmony by Bert Ligon

A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists. Refresh and try again. But the point is well taken. Chris Marlowe rated it it was amazing Mar 04, The soft and despicable other side of this rather nasty coin is where everything unintelligible is automatically invested with significance by culture vultures.

Even if you don’t know all the subtle changes, it is extremely important to know where the tonality is going.

You practice those favorite lines in other keys but eventually with this book you will begin to play your own lines. How to Reharmonise a song.

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Connecting Chords with Linear Harmony

Like any line you have to find the ones that really move you or resonate with you. Hopefully making berf heretrying to say this book will get you constructing those bop flavored kind of lines.

Chief 06 rated it really liked linwar Jan 08, Paperbackpages. I always knew that movement from the 7th on the II chord to the 3rd of the V chord or the 7th on the V chord to the 3rd on the I chord was the strongest way to spell out the harmony on II V lines.

Connecting Chords with Linear Harmony : Bert Ligon :

Spell it out with Roman numerals if it is helpful. The tune is in F and there is an E7 11 you want to play on I have developed 4 variations for each pattern based on some of his suggestions octave bet, etc.

It’s the most important element since it is what differentiates one tune from another with the same chords, etc.

Good voiceleading like this is the key to playing changes. Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing. Sign In Email address or username. Charles Chen rated it it was amazing Sep 06, At our weekly jam session, I find I know my scales most of them well enough to play something over everything.

After absorbing this material some I am able to come up with what I call my own lines even though it’s all public domain.

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I like to think of Stella by Starlight as starting out in the 4m7 b5moving to it’s V7, then to ii, then V7, etc Oscar Ornelas rated it it was amazing Nov 04, The result is that — if I may describe it thus — I can “see” or “sense” the actual primary scale notes or arp notes, as it were, printed in “red” against the background of the rest of the line printed in “black” — if that makes sense.

Review: Connecting Chords with Linear Harmony by Bert Ligon

I’ll do as you suggest and start a notebook. Harmonj 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

Kristin Madison rated it it was amazing Oct 20, Like I said certain lines just do it for our personal ear and taste. Dave rated it really liked it Nov 27, What’s the best way ligkn comp? It focuses on ii-V-I’s. Best Pianos for Beginners.